Mazufa Records delivers your releases to the stores and streaming services your release is eligible for — with a human review team that treats every track like a debut. No tiers and no fee to apply: submit, get reviewed, release. We charge no upload fee or subscription — your revenue share is set out in your written agreement.
SPOTIFY ✦APPLE MUSIC ✦YOUTUBE MUSIC ✦AMAZON MUSIC ✦ANGHAMI ✦DEEZER ✦TIKTOK ✦INSTAGRAM ✦FACEBOOK ✦SOUNDCLOUD ✦TIDAL ✦SHAZAM ✦BOOMPLAY ✦PANDORA ✦AUDIOMACK ✦NAPSTER ✦IHEARTRADIO ✦KKBOX ✦JIOSAAVN ✦VK MUSIC ✦QOBUZ ✦NETEASE MUSIC ✦QQ MUSIC ✦JOOX ✦MELON ✦LINE MUSIC ✦AUDIUS ✦BEATPORT ✦YANDEX MUSIC ✦BANDCAMP ✦SPOTIFY ✦APPLE MUSIC ✦YOUTUBE MUSIC ✦AMAZON MUSIC ✦ANGHAMI ✦DEEZER ✦TIKTOK ✦INSTAGRAM ✦FACEBOOK ✦SOUNDCLOUD ✦TIDAL ✦SHAZAM ✦BOOMPLAY ✦PANDORA ✦AUDIOMACK ✦NAPSTER ✦IHEARTRADIO ✦KKBOX ✦JIOSAAVN ✦VK MUSIC ✦QOBUZ ✦NETEASE MUSIC ✦QQ MUSIC ✦JOOX ✦MELON ✦LINE MUSIC ✦AUDIUS ✦BEATPORT ✦YANDEX MUSIC ✦BANDCAMP ✦
0
UPLOAD FEES ON YOUR RELEASES
0
PER-RELEASE FEES
0
SUBSCRIPTION FEES
0
HIDDEN FEES
THE FILM — INSIDE THE BACKEND
The journey of your track, end to end
LIVE RENDERCHAPTER 01 / 06
♪master.wavDEMO — sample audio file
▸ master.wav leaves the studio — 24bit/48kHz, artwork 3000×3000, metadata locked.
WHAT WE DO
Distribution without the fees
One submission puts your catalogue in motion across the destinations your release is eligible for — while you keep full ownership.
⌁
Release Distribution
One submission, delivered to the stores and streaming services confirmed for your release — from the giants to the newest niche apps.
✦
Rights & Protection
Content ID, fingerprinting and takedown handling where eligible. No transfer of your masters — ownership is set out in writing.
◈
Royalty Collection
Streaming, download and UGC royalties collected where we are able to, and reported as the stores report them to us.
♫
Release Strategy
Human A&R review of every submission — release timing, metadata and store optimization done right.
◎
Release checks
Metadata, credits and identifiers checked before delivery — including non-Latin scripts and bidirectional text that break elsewhere.
↗
Analytics & Insights
Streams, audience and revenue in one place, reported as each store reports them to us.
BUILT FOR EVERY TALENT
If you make sound, this is your door
♪Singers & artists
♬Bands & groups
◈Producers & beatmakers
✎Composers & songwriters
◉DJs & remixers
⌁Podcasters
✦Content creators
⛨Labels & companies
NO GATEKEEPING
Any language. Any script. Any human with a song.
Applications are open in any language ever sung — from Arabic and English to the rarest dialect, in Latin and non-Latin script alike. Music has no passport.
Fill the artist submission form with your release, links and optional proof files.
02
Human Review
Our team reviews every complete application — quality, catalogue and audience. Review time depends on the queue; there is no fixed turnaround.
03
Approve & Release
Approved artists get onboarded and scheduled. Your release is delivered to the destinations confirmed for it.
04
Track & Collect
Track streams and revenue as the stores report them, while we protect and collect where we are able to.
FROM APPLY TO PAYOUT
From application to first payout
DAY 0
Apply
Form sent — confirmation lands in your inbox.
DAY 1
Human review
An A&R verdict with reasons, not silence.
3–4 WEEKS AHEAD
Delivery planned ahead
We recommend delivering 3–4 weeks before release day; delivery time depends on each store.
WEEK 1
Links & assets
Smart links, pre-save pages and store links in one place.
MONTH 1
First report
Reported as the stores report to us, itemized.
MONTH 2
First payout
Payout timing follows store reporting, thresholds and your agreement.
PROMOTION, IN WRITING
Marketing with the scope written down
Distribution puts the release out. Promotion is a separate, optional scope — every deliverable agreed in writing before anything runs, with no outcome promised.
◉
No placement promises
We do not promise editorial, algorithmic or chart placement. Those decisions rest with each platform alone, and anyone selling them is selling nothing.
♬
TikTok & Reels Campaigns
Sound-first short-form video support with creators, hooks and assets — scope and deliverables agreed in writing first.
⚡
Pre-Save & Fan Funnels
Pre-save links, smart links and fan capture pages, ready before release day and yours to keep.
✧
Influencer Network
A vetted network of creators and curators, matched to your genre. Reach and response are never guaranteed.
▲
Paid Media
Precision ads on Meta, TikTok, YouTube and Google tuned for streaming conversion, not vanity clicks.
∞
Trend Engineering
Release timing, remix strategy and campaign design, planned with you — built on your catalogue, not on promises.
YOUTUBE
Making YouTube part of what you collect
YouTube use of your music can generate revenue through several routes. Which of them apply to you depends on rights, territory and current platform rules — we set out what is available before delivery rather than promising an outcome.
▶
YouTube Music delivery
Where your release is eligible, it is delivered to YouTube Music and as an Art Track alongside your other destinations.
⛨
Content ID claims
Fan uploads, remixes and vlogs using your sound can be claimed where Content ID is available to your release.
✪
Official Artist Channel
One official home for your catalogue. Eligibility and the badge are decided by YouTube; we walk you through the steps.
◔
Shorts monetization
Your track in the Shorts library where eligible — use is reported by YouTube, not counted by us.
◈
Premium + ad revenue
Ad-supported and Premium views collected where the platform reports them to us.
↗
Channel analytics
Claims, sources and revenue per video — visible in your dashboard.
0
UPLOAD FEE OR SUBSCRIPTION
0
SUBSCRIPTION FEES
24
LANGUAGES ACROSS THE SITE
1
DASHBOARD FOR YOUR CATALOGUE
✪
Official Artist Channel eligibility and setup are governed by YouTube’s own policies and your current account relationships. Where you qualify, we help you through the steps — the decision is YouTube’s, not ours.
ROYALTY TYPES THAT MAY APPLY
Where royalties can come from
Streaming (DSPs)Varies
YouTube & Content IDVaries
Social & UGC (TikTok / Reels)Varies
Downloads & salesVaries
Sync & publishingVaries
Radio & public performanceVaries
• Collection scope varies by rights, territory, platform and the signed agreement. Real splits differ enormously between artists and genres, so we do not publish a single breakdown as if it were yours.
DELIVERY RELATIONSHIPS
How your release reaches the stores
⇄
Delivery relationships
Delivery availability operates within current partner agreements, release eligibility and platform processing. Availability is confirmed per release before delivery.
◎
No placement promises
We do not promise editorial, algorithmic or chart placement, and we do not sell pitching. Those decisions rest with each platform.
⛨
Rights matching
Fingerprinting may be available for eligible works under current partner and platform rules; matching and monetisation are not promised.
↗
Reporting
Available reporting depends on partner data and the signed agreement.
ROYALTIES & PAYOUTS
Collected, and set out in your written agreement
Four royalty streams, one statement. We collect where we are able to, report what the stores report to us, and pass on the royalties we receive as set out in your written agreement. Payment terms and thresholds are set out in your written agreement.
♪Streaming royaltiesAudio and video streaming, reported as each store reports it to us.
⇣Download salesDownload stores, wherever your release is delivered and eligible.
✦UGC & socialTikTok, Reels, Shorts — collected where the platform and your rights allow.
◈Sync & publishingPerformance and mechanical royalties via publishing admin.
0
UPLOAD FEES
0
PER-RELEASE FEES
0
HIDDEN CHARGES
YOUR COMMAND CENTER
See everything they never showed you
Approved artists get a dashboard — streams, playlist adds, countries and revenue, as each store reports them to us.
No transfer of your masters. Exit and catalogue treatment follow the signed agreement.
⚖
Publishing admin
ISWC registration and collection through societies, where available to you.
DELIVERY SPECS
Broadcast-grade, every time
AUDIO
WAV 24-bit / 48kHz · FLAC
SPATIAL
BW64 / ADM immersive files
ARTWORK
3000×3000 RGB
CODES
ISRC · UPC · ISWC
LYRICS
Time-synced (LRC)
CREDITS
Full contributor metadata
SPEED
Delivered on the confirmed date
MONITORING
Delivery status tracked
KNOW THE LANGUAGE
Distribution, decoded
ISRC
The 12-character code that identifies a recording — not the song, and not the release. It stays with the recording.
UPC
The barcode of your release — one per single, EP or album.
DSP
Digital Service Provider — the stores and streaming services that stream or sell music.
CONTENT ID
Automated matching that can find your sound in other uploads where the platform supports it.
PRE-SAVE
Fans save your release before day one — so it is in their library the moment it lands.
ROYALTY SPLIT
Automatic revenue sharing between collaborators, set once at upload.
DID YOU KNOW?
The industry, in numbers that matter
106K
new tracks reached streaming services every day in 2025, and 88% of all tracks had 1,000 streams or fewer that year. Source: Luminate Year-End Report 2025, published 20 January 2026.
12
characters make an ISRC: 2 country, 3 registrant, 2 year of reference, 5 designation. The hyphens are display only, and there is no check digit.
UPC
identifies the release, not the recording. A 12-digit UPC-A becomes an EAN-13 by prefixing a zero — and the check digit does not change.
FRI
is the standard global release day. We schedule your delivery to land well ahead of it, with time for checks.
BS.1770-5
has been the loudness measurement standard in force since November 2023. Most meters still cite BS.1770-4, the superseded 2015 edition.
0
audio files leave your computer when you use our tools — every check runs in your own browser.
A LETTER TO EVERY ARTIST
You were never “too small”.
The system was too closed.
We tore the doors off.
Every anthem started in a bedroom. Every legend was once unheard. The only thing standing between your sound and the world was access — and access is exactly what we hand you.
WE KNOW WHAT YOU SURVIVED
The old way was built against you
✕ WHAT ARTISTS SUFFERED
✕Fees you only see after you sign
✕Contracts that make leaving hard
✕Long waits with no update after you upload
✕Royalty reports that arrive late or are hard to read
✕Support that is hard to reach
✕Doors that open mainly for signed artists
• WHAT MAZUFA ENDS IT WITH
•0 hidden fees — the math is public
•Your masters stay yours, forever
•Every complete application read by a human
•no upload fee — revenue share set out in your written agreement
0no upload fee, no hidden chargesNo upload fee, no subscription, no per-track charge; the revenue share is set out in your written agreement. Third-party collection and payment costs are itemised separately.
24A human reads every applicationEvery complete application is read by a person. Review time depends on the queue, so we do not promise a fixed turnaround.
⇄Exit terms documentedCatalogue treatment on leaving follows the signed agreement.
◈Payout schedule documentedPayout timing depends on store reporting, thresholds and current terms.
⛨Rights protection where availableContent ID and takedown availability depend on rights, territory and current platform rules.
HOW APPLICATIONS ARE REVIEWED
A documented process
HUMAN REVIEW
“Applications are assessed against current release and rights requirements.”
AApplication reviewDocumented process
HUMAN REVIEW
“Complete applications enter a human-review queue subject to capacity; a decision follows once review is complete.”
HHuman decisionDocumented process
HUMAN REVIEW
“Catalogue transfers depend on rights, identifiers and the signed agreement.”
CCatalogue reviewDocumented process
EVERY FEAR, ANSWERED
Read this before you doubt yourself
Unknown is where every icon started. We review the music, not the follower count. If the work is real, the door is open.
Never. You keep your masters; we only take the licence we need to deliver, and its scope is set out in the written agreement.
Approved releases are delivered to the destinations confirmed for them. Going live is each store's own processing step, so we schedule with room to spare.
Nothing. No fees, no tiers, no credit card. You apply, we review, you decide.
Yes. Your ISRCs stay with your recordings when you change distributor. What transfers, and when, depends on your identifiers, rights and existing agreement — we set it out before you move.
You get a reason, not a wall. Fix what was flagged and apply again — a rejection is about this application, not about you.
Ready to release?
Submit your music today. Free to apply and free to release — our team reads every single complete application.